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You can slap it on your master, groups or individual tracks to create huge build ups and transitions. It one has one macro (Wash Out!), which is meant to be automated. My 1 Knob Wash Out is actually inspired by the famous Bass Kleph Easy Washout. Octave adds an octave of the fundamental tone.
Minor/Major switches the minor scale to a major scale. Base shifts the origin of the scale (default is C). Afterwards you can try to transpose single notes of each chord an octave up or down. Since the rack doesn’t cover inversion I’d recommend resampling the MIDI. Additionally you can enable the octave function via macro 3. Placing it on a MIDI track it will automatically create a fitting triad, based on the key you’ve selected. The chord rack is meant for producers who are new to music theory. Delay is also a dry/wet knob for the delay (0 – 40%). Reverb is a simple dry/wet control to add space (0 – 50%). De-Ess decreases the threshold of the de-esser (0 – -40dB). 
Focus controls the exact frequency of the “Clean Up” cut (200 – 800 Hz). Clean Up cuts muddy frequencies in the low mids (0 – -8dB). Air boosts the top end with a high-shelf filter (0 – 15 dB). High Pass controls the frequency of a high-pass filter (80 – 250 Hz). However, if you’re new to mixing or just want to enhance a rough demo this Ableton Live rack might be something for you. #ABLETON LIVE PACKS FREE#
Mixing vocals is extremely complex and a single free Ableton Rack will never be able to make any vocal sound perfect. However, if you just want to render a quick demo or a rough mix Ableton’s Limiter will probably be good enough.
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I’d highly recommend to pick another limiter like the one from Ozone 9 if you really want to achieve a professional master.
Release adjusts the release time of Ableton’s Limiter (0.01ms – 3s). Gain increases the input gain of Ableton’s limiter (-24 – 24 dB). Focus adjusts the exact frequency for “Clean Up” (200 – 500 Hz). Clean Up reduces low midrange frequencies (0 – -5dB). Freq controls the high-shelf filter’s frequency (4 – 22 kHz). Shine is a high-shelf filter you can use to boost the side signal (0 – 6 dB). Glue decreases the threshold of Ableton’s Glue Compressor (0 – -30 dB). Everything below will be mono (50 – 200 Hz). This is what the macros from my Ableton mastering rack do: My general recommendation: less is more! If you’re making big changes on your master channel you should probably go back to the mixing stage! However, there are some effects that can help to “glue” all individual tracks together and give you track that final touch. When your mixdown is perfect you usually don’t need much processing on the master. You may also like this list of free Ableton templates. 
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I’m using these features to “pimp” Ableton’s stock effects every day so if you’re looking for some free Ableton racks you definitely came to the right place!Ĭlick on the button below to start your free download and make sure to read the entire post for further details. Ableton Racks are awesome! They allow you to group effects or instruments, map multiple parameters to a single macro and create parallel chains.
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